Browsing: CD and Book Reviews

Martha Argerich Live Vol. 6. Chopin: Piano Concertos Nos. 1 & 2, Mozart: Piano Sonata K. 576, Bach: Partita No. 2, Schumann: Piano Sonata No. 2, Ravel: Gaspard de la Nuit, Prokofiev: Piano Sonata No. 7 DOREMI DHR-8173/4 (2 CDs) Argentine-born pianist Martha Argerich won the International Chopin Competition in 1965 when she was 24 years old. She went on to confirm her stature as one of the finest Chopin interpreters. This new set includes superb live performances of the Piano Concerto No. 1 (Amsterdam, 1968) and the Piano Concerto No. 2 (Hamburg, 1969). Argerich shows off a superlative technique…

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Almost Touching An-Laurence Higgins, guitar and voice People Places Records, 2022 Rarely has anything similar been heard. This new album by Montreal guitarist An-Laurence Higgins offers an explosive mix of several musical styles. The work by Kim Farris-Manning that lends its name to the album, Almost Touching, gives as much importance to the voice as to the guitar in a very contemporary language. Several effects are exploited: full resonance strings, metallic friction, harmonics superior to the guitar, breaths, strong inspirations, hoarse voice, etc. Similar vocal effects can be found in Amy Brandon’s Artificial Light, but here they mingle with a…

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to you through India Gailey, cello Redshift Records, 2022 This new album by cellist and American-Canadian multidisciplinary artist India Gailey is unique to her. It brings together the musical works that have been important in her life and which, with time, have taken on a particular significance. As she explains in the text that accompanies the album, Gailey feels that these works are now a part of herself. She is capable of appreciating them to a different degree than other works of art to which she has been exposed. It is, therefore, a desire to share across borders that motivates…

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Virtuosa Alexa Raine-Wright, flute; Sallynee Amawat, violin; Andrea Stewart, violoncello; Rona Nadler, harpsichord Leaf Music, 2022 In 2017, Infusion Baroque released the Virtuosa Series, a collection of videos highlighting the musical careers of fourteen women from the 18th and 19th centuries. Still infused with the desire to emphasize female composers’ accomplishments in the face of sexism, Infusion Baroque have released their new album Virtuosa. The 14 works on the album, derived from a variety of composers, most of them women, display the ensemble’s tonal flexibility: in their performance of Clara Schumann’s Piano Trio in G Minor, Op. 17 they contrast…

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Bach and Bartok Karl Stobbe, violin Leaf music, 2022 Juno Award winner and violin soloist Karl Stobbe has released the album Bach and Bartok to illustrate the profound influence of Bach’s sonatas on the world of classical music. In the first half of the album, Stobbe presents his rendition of Bach’s Sonata No. 3 in C Major for Solo Violin, BMV 1005, which is both serendipitously calm and dramatically tense. Listeners are often left longing for a resolving note, and when they finally reach it, they’re dragged back into a melody whose syncopations masterfully re-establish the anxiety of waiting. Listeners…

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Shanties! Live: La Nef & Chor Leoni La Nef, Chor Leoni, vocal ensembles; Seán Dagher and Erik Lichte, artisticc directors Leaf music, 2022 Canada’s motto A mari usque ad mare (From Sea to Sea) would suit this recent Leaf Music release to a T. On Feb. 22, 2020, Vancouver’s Chor Leoni and Montreal’s La Nef joined forces at the Chan Centre for the Performing Arts in B.C for a concert of sea shanties, arranged for the occasion by one of the event’s artistic directors, Seán Dagher. Shanties! Live recaptures the magic of that evening. La Nef is well versed in…

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Night Light Philip Chiu, piano; Lara Deutsch, flute Leaf Music, 2022 As the central inspiration behind Chiu and Deutsch’s album Night Light, the concept of the “dream” takes on many forms, though some of these forms work better than others. The flutist and pianist take turns as the lead musicians in Takashi Yoshimatsu’s Digital Bird Suite, Op. 15 and Jocelyn Morlock’s I conversed with you in a dream to evoke the contradictory emotions associated with flying in a dream—the euphoria at having achieved an impossible task, and the disappointment at the task’s falsity that settles in after waking up. The…

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iFugue: A World of Fugues Ensemble Vivant Opening Day Entertainment Group (ODEG), 2022 Do you know what fusion is? A mix of rock and jazz probably leaps to mind. But there is classical fusion, too. That is exactly what Ensemble Vivant deals with in this recording as it steps into the world of fugues with a selection of 15 pieces that come from both the baroque (Vivaldi, Bach) and more modern times (with the likes of Aldemaro Romero, Astor Piazzolla, Dimitri Shostakovich, Heitor Villa-Lobos and César Franck). Rounding out this 300-year sampling are three world premières by two Canadian composers:…

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Souvenirs d’Auguste Descarries Isabelle David, piano Leaf Music, 2022 Souvenirs d’Auguste Descarries, just released on the Leaf Music imprint, is the result of pianist Isabelle David’s five-year research project on a French-Canadian composer whose music she performs for the first time on record. Largely forgotten since his death in 1958 at age 62, Descarries wrote a substantial and quite sophisticated body of work for solo piano with clear overtones of Russian neo-romanticism. Right from the start of this 14-track side, it is clear that David is in her element, drawing on her virtuosity to deliver a sensitive performance that constantly…

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John Williams: Violin Concerto No. 2 & Selected Film Themes John Williams, composer and conductor; Anne-Sophie Mutter, violin; Boston Symphony Orchestra Deutsche Grammophon, 2022 Having worked together on two occasions (for recordings issued in 2019 and 2020 on Deutsche Grammophon), John Williams and Anne-Sophie Mutter are no strangers to each other. And as all good things come in threes, here they are back again on the same label and sharing top billing for Williams’s violin concerto. The work opens on a rather brooding harp solo. Mutter’s violin appears almost timidly through a sombre mass of strings, a prelude to the…

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