“Darlings of the Muses.” Brahms: Symphony No. 1. Schumann: Symphony No. 1. Clara Schumann: Piano Concerto Op. 7. Gabriela Montero: Five Improvisations. Gabriela Montero, piano. National Arts Centre Orchestra/Alexander Shelley. Analekta AN 2 8877-8. Total Time: 122:17. Clara, Johannes and Robert (Schumann, Brahms and Schumann) have long been a source of voyeuristic fascination. In 1947 there was a sentimental movie, Song of Love, supposedly based on the triangle. Now there is Darlings of the Muses, a serious-minded album from the National Arts Centre Orchestra under Alexander Shelley combining orchestral music by all three with a set of improvised piano miniatures intended to…
Browsing: CD and Book Reviews
by Paul-James Dwyer Le Sacre Royal de Louis XIV (the Coronation of Louis XIV). Antoine Boesset, Etienne Mouliné, Jean Veillot, Roland de Lassus, Henry Du Mont, Francesco Cavalli, Charles d’Helfer, Anonymous. Les Pages du Centre de musique baroques de Versailles/Olivier Schneebeli. Ensemble Correspondances/ Sébastien Daucé. Harmonia Mundi CV5017 Total time: 108 minutes. Ensemble Correspondances seems to move from summit to summit. With the 2018 DVD Ballet Royal de la Nuit release, they vaulted into international stardom, and a subsequent invitation to founder/director Sébastien Daucé to direct the London Early Music Festival in 2018. Such is the finesse that the viewer…
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American Grooves Michael Formanek Very Practical Trio Even Better – Intakt CD335 While the musicians on this recording are identified with the experimental jazz scene, they have produced an album accessible enough for a more mainstream-minded audience. Alto saxophonist Tim Berne and the leader of this date, double bassist Michael Formanek, are established outcats, while guitarist Mary Halvorson is a new force to reckon with on the New York scene. From the first notes of this 57-minute side, this unit hits its stride and maintains the momentum through eight pieces by the bassist and one cover, Scott La Faro’s Jade…
Mia Brentano’s River of Memories: A Mystery Trip Benyamin Nuss, piano, Andy Miles, clarinets & bass clarinets and friends Mons Records, 2019, MR874621 After Hidden Sea, released in 2018, Mia Brentano comes back with a new album, named River of Memories: A Mystery Trip. Over the course of 15 pieces, the composer alternates between a vast array of styles. From various forms of jazz, using piano and clarinet, to almost pop-sounding music, using electric guitar; from aquatic sounds – underwater and rain, more specifically – to what we would be tempted to call “modern music.” With its warm and sensual…
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Shostakovich plays Shostakovich Dmitri Shostakovich, Iosif Volovnik, Daniil Shafran, David Oistrakh, Maxim Shostakovich, Miloš Sádlo, Nina Dorliak, Zara Dolukhanova, Aleksei Maslennikov, Mieczysław Weinberg, Alexander Gauk, Samuil Samosud Melodiya MELCD1002596 Five CDs. Total time: 5:42:00 5/5 Most records are disposable. A few are memorable, a small handful are treasurable and every now and then now one comes along that is indelible. This box is something else. I think this is the first time I have ever described a record set as indispensable. The five CDs collect all the Russian state recordings of Dmitri Shostakovich playing his own music. The composer was…
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Skye Consort & Emma Björling Leaf Music, LM225 4/5 Sentez l’air frais du nord s’insinuer dans vos oreilles avec cette rencontre remarquable entre la chanteuse suédoise Emma Björling et l’ensemble Skye Consort formé de Seán Dagher (bouzouki, banjo, voix), Alex Kehler (nyckelharpa, violon, voix) et Amanda Keesmaat (violoncelle, voix). Né grâce à la complicité des artistes et au retard fortuit de l’avion d’Emma lors d’un retour de concert au Québec, l’album Skye Consort & Emma Björling compile des airs traditionnels scandinaves, anglo-saxons et acadiens ponctués de compositions instrumentales. L’album est bien équilibré dans le choix des pièces; le groove fleuri…
A soprano at the start of her journey cuts a debut album as another reaches what must be the end. The contrasts are simply too compelling to ignore. Lise Davidsen, a Norwegian, came to attention in the Kathleen Ferrier competition four years ago, though her voice is more Flagstad than Ferrier. This is a genuine Wagnerian instrument, fully formed at 32 years old and equal to a massive orchestra. Two Tannhäuser arias are surmounted here with what sounds like nonchalance, a walk in the Bayreuth park in a really pleasant breeze. The shortcomings are exposed in a set of Richard…
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Vijay Iyer and Craig Taborn: The Transitory Poems (ECM Records, ECM 2644) Nine years after their first concert performance, duo keyboardists Vijay Iyer and Craig Taborn have finally released their recording debut. Just shy of 75 minutes, the album captures a performance staged in Budapest a little over a year ago. Eight tracks flow almost seamlessly, the pauses between them so short that the listener barely has the time to take a single breath. The players never lose focus, as they are so in tune with each other and so able to compose on the spur of the moment. Blessed as they…
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Pavarotti: Genius Is Forever, a documentary directed by Ron Howard, opens on June 6. La Scena Musicale got exclusive access to the two-hour film before the release. In the past, this acclaimed Hollywood director and producer explored the world of music with The Beatles: Eight Days a Week and, most recently, with Made in America, a documentary that involved the participation of rap mogul Jay-Z. In his new effort, Howard emphasizes the human side of Italian tenor Luciano Pavarotti. He chronicles his life trough a mix of interviews with the singer’s family, colleagues, live concerts and backstage footage. We are…
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A keen observer of the new music scene in Montreal, Réjean Beaucage has taken to the task of demystifying that slightly strange bird known as musique actuelle. His book on this subject, released last February, is but a logical extension of his first one of eight years ago that recounted the history of the Société de musique contemporaine du Québec. In close to 200 pages, he embraces a good half a century of musical activity, its alpha point in 1961 with the Semaine de musique actuelle and further manifestations such as the FIMAV, founded in 1983 and still around to this…