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The Toronto Symphony Orchestra (TSO) heralded the new year with two audience favourites:  Mozart’s Clarinet Concerto in A Major, K. 622 and Dvořák’s Symphony No. 9 in E minor, op. 95 (“From the New World”).  On Jan. 12, the concert opens with the usual choice of a rarely-performed modern piece. Most Toronto audiences, myself included, are unfamiliar with Grażyna Bacewicz, even though she was one of Poland’s most well-regarded composers of the mid-20th century. Her “Concerto for String Orchestra” is her best-known and most-performed piece, and considered a prime example of Polish neoclassicism, showcasing Bacewicz’s style of blending traditional and…

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On February 4th, from 5:30 p.m. to 8:30 p.m., École de musique Vincent-Indy opens its doors! During this lively evening, visitors will be able to learn about the pre-university programs in classical and jazz music (501.A0) and the double DEC offered in collaboration with Collège Jean-de-Brébeuf (Musique et Sciences de la nature (200.11), Musique et Sciences humaines (300.11) et Musique et Arts, lettres et communication (500.11)). Teachers and students will be on hand to present the four profiles offered to : Perfect your playing techniques: Interprétation profile (classical – jazz); Deepen an interest in musical composition: Création profile (classical -…

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Tuesday, January 7, 2025 – In honour of Black History Month, the Orchestre Classique de Montréal (OCM) will shine the spotlight on three artists of African descent: Cameroonian-Canadian soprano Suzanne Taffot, Haitian-Canadian composer David Bontemps, and Panamanian-American conductor Kalena Bovell, making her Montréal debut. The OCM’s concert on Thursday, February 6, at Pierre‑Mercure Hall, will feature the world premiere of Bontemps’ Le Deuil des roses qui s’effeuillent, a song cycle based on poems by Jacques Roumain, in a performance marking the 80th anniversary of the Haitian writer’s passing. This special evening will focus entirely on the music of Afro-descendant composers, with works by Black British composer Samuel Coleridge‑Taylor and African-American composers George Walker and William Grant Still. The program will conclude with a set of…

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The nearly 40-year-old musical Into the Woods, with music and lyrics by the legendary Stephen Sondheim and book by American playwright James Lapine, has become a staple on North American stages. Its appeal is clearly linked to an ingenious amalgamation of familiar characters from classic fairy tales like Cinderella, Little Red Riding Hood and Jack and the Beanstalk. Their stories are utilised to deliver a universal message that boils down to “be careful what you wish for”. Koerner Hall has assembled a cast which includes the crème de la crème of Canadian musical theatre in a smartly-staged production by Richard…

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As is their tradition, Toronto Operetta Theatre livens up the in-between-Christmas-to-New Year lull with an annual production of a classic, golden age operetta. This year, it’s Hungarian composer Imre Kálmán’s Countess Maritza with its non-stop succession of great tunes and authentic czardas-infused rhythms. TOT can always be relied on to present some of the best young Canadian talent and this was certainly no exception at Dec. 29th’s opening performance. A Maritza that moves TOT’s General Director, Guillermo Silva-Marin is also the show’s stage director and he does a lot with comparatively modest means. Maritza’s country mansion is appropriately decorated with…

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Every holiday season, Handel’s Messiah comes to town. Not once, not twice, but many times. With all the options, how can an audience member decide which one to choose? On Dec. 22, ArtChoral and Ensemble Caprice delivered an inspiring performance of Handel’s Messiah. It seems that Juno award-winning conductor Matthias Maute takes avid delight in showcasing how old works can always sound new, so long as they are performed with technical precision, intentionality, and a lot of joyful energy. When Messiah season comes around next year, audiences would do well to consider ArtChoral’s version.   What you missed? A Baroque oratorio,…

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Putting on a Christmas concert is a challenge. The concert must feature enough time-worn classics to foster the holiday spirit; at the same time, every holiday concert strives to be fresh, even innovative. We don’t want to be fed the same “Jingle Bells” year after year, but we do want to hear music we recognize. On Dec. 18, Orchestre symphonique de Laval’s holiday concert offered many Christmas classics, from Leroy Andersen’s Christmas Festival to the beloved English carol, The Twelve Days of Christmas. But the concert also featured music by Georges Bizet and Gabriel Fauré that, while very melodious, is…

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What links French Impressionist composer Maurice Ravel with the Venice Biennale and American minimalist composer Steve Reich? Their association might seem tenuous, but they are intriguingly brought together in French-Albanian artist Anri Sala’s work Ravel Ravel Interval, currently exhibited at the Montreal Museum of Fine Arts (MMFA). La Scena Musicale interviewed Assistant Curator of International Modern and Contemporary Art, Alexandrine Théorêt, to help us untangle the knots in this singular work. Acquired by patron Pierre Bourgie and pledged to the MMFA, Ravel Ravel Interval commemorates the 150th anniversary of the birth of Maurice Ravel (1875–1937). The 2024–2025 season also marks the…

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The Toronto Symphony Orchestra (TSO) announces the opening of two staff conductor positions—(1) TSO Resident Conductor, and (2) Toronto Symphony Youth Orchestra (TSYO) Conductor—to begin during the 2025-26 concert season. Qualified candidates may submit an application for a full-time contract for both positions or a part-time contract for one of the positions. TSO Resident Conductor The TSO Resident Conductor will work closely with Music Director Gustavo Gimeno, TSO administrative staff, and the musicians of the TSO. This two-season position (2025-26 and 2026-27) includes significant repertoire building through a combination of covering assigned TSO concerts and rehearsals and conducting select concerts.…

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Amidst the bustle of the holiday season, Chor Leoni ushered audience members into the serene atmosphere of St. Andrew’s-Wesley United Church for their annual Christmas concert on Dec 19. The space was lit with reds, blues, and purples while golden lanterns hung from the ceiling. The beauty of the church was highlighted under this unique lighting, creating an almost fantasy effect within the large arches. Lighting designer Keagan Elrick had set the stage for the magical evening welcoming Chor Leoni’s largest-ever opening night audience. The first song of the evening was “The Long Night” arranged by founding member, Artistic Director,…

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