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QUEBEC Arion Orchestre Baroque arionbaroque.com At the heart of Montreal’s musical life for over forty years, Arion Orchestre Baroque is a pioneer in Quebec and Canada in the world of early music on period instruments. Under the artistic direction of conductor and bassoonist Mathieu Lussier since 2019, Arion presents a concert series featuring internationally renowned guest conductors and soloists. The clarity and freshness of Arion’s interpretations of Baroque and Classical works are underpinned by a discography of over thirty critically acclaimed and award-winning titles. Committed to the creation and dissemination of youth and educational projects, and a partner of renowned…

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Since Clemens Schuldt joined Orchestre symphonique de Québec (OSQ) as music director in 2023, its spirit has changed.  A certain pride has settled on the musicians, the organization, even the audiences of the provincial capital. Several factors underlie this, but the personality of the German conductor and his local commitment have certainly contributed. La Scena Musicale met him in Montreal last fall, the day after conducting the closing concert of the International Bach Festival. In a country like Germany, a young conductor is bound to be influenced by the musical geniuses of the past. Schuldt’s father is from Hamburg, the…

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This February, renowned musicians and artistic leaders Julian Armour and Guylaine Lemaire celebrate 20 years of marriage. The Ottawa-based couple have contributed significantly to the Canadian music scene for decades now as both performers and arts administrators. Amidst all this busyness, Armour and Lemaire are also the proud parents of four boys. Armour and Lemaire wear several hats in their professional lives. Armour is the artistic and executive director of Music and Beyond, artistic director of the Chamber Players of Canada, principal cellist of the chamber orchestra Thirteen Strings, and teaches at the University of Ottawa and Carleton University. Retired…

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The Winnipeg Symphony Orchestra wraps up its 2024-25 season on a poignant note this spring as its revered concertmaster, Gwen Hoebig, steps down from the position she’s held for an astonishing 37 years.  The Vancouver-born musician lauded for her impeccable artistry currently holds the mantle as Canada’s longest-serving concertmaster, following the retirement of L’orchestre symphonique de Montréal’s Richard Roberts in September 2022 after his own 40 seasons.  When asked what she’s most proud of from her decades-long tenure, Hoebig replies succinctly: “My playing, and also my relationship with my colleagues. … My overriding goal as concertmaster has always been to…

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Legendary Japanese conductor Kazuyoshi Akiyama has passed away at the age of 84. A cornerstone of Vancouver’s classical music scene, Akiyama led the Vancouver Symphony Orchestra for over 13 years. Under his leadership from 1972 to 1985, the VSO transitioned from the Queen Elizabeth Theatre to the Orpheum, marking a new era of growth, increased ticket sales, and a revitalized sound.  Early Life and Career Born in Japan in 1941, he launched into the world of classical music in 1964 when he made his debut with the Tokyo Symphony Orchestra. His immediate success earned him the roles of both Music…

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The Vancouver Symphony Orchestra brought Tinseltown glitz and glamour to the Orpheum stage this weekend with Hollywood Rocks, a carefully curated collection of iconic songs from your favourite movies and TV shows. The orchestra was led by Maestro Stuart Chafetz, with Broadway stars Julie Reiber and Bryce Ryness lending their incredible voices.  From the moment Chafetz set foot on stage, the tone for the evening was set: lighthearted, energetic, and, above all else, fun. “Tonight’s show is guaranteed to bring back memories, put a smile on your face, and, hopefully, create some new memories” he prefaced, encouraging the audience to…

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With its epic music and heartbreaking story, it is no surprise that Giacomo Puccini’s Madama Butterfly remains one of the most popular and beloved operas of all times. It has been over 10 years since Madama Butterfly was last staged by the Canadian Opera Company after the pandemic forced the cancellation of its mainstage performances in 2022. This opera has also struggled with many controversies related to western imperialism, along with cultural and gender stereotypes. In this  production (seen Jan. 26), COC has at least in part addressed them by foregoing the traditional geisha makeup, and by having an all-Asian…

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TORONTO, ON – Tickets are now on sale for Opera 5’s first-ever Toronto Opera Festival, running from June 12-21, 2025 at Factory Theatre. The festival features a series of performances, including the world premiere of Come Closer by Canadian Composer Ryan Trew and with a libretto by Opera 5’s General Director Rachel Krehm, Opera 5’s first musical theatre production, Elegies: A Song Cycle by William Finn, and a Gala Performance –  featuring the Portfolio Artist Interns. The Toronto Opera Festival is currently Toronto’s only professional opera festival dedicated to celebrating opera, musical theatre, and new Canadian works. It will also showcase homegrown talent while training the next generation of portfolio artists. Rooted in…

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TORONTO, ON – Today Opera 5 announces the 8 singers who will join the Portfolio Artist Internship Program for the 2025 Toronto Opera Festival, in partnership with Opera McGill and the Schulich School of Music. The Portfolio Artist Internship is an innovative new approach to artist training designed to support individuals pursuing a portfolio career: a multi-faceted path, artistic or otherwise, simultaneously. The internship provides three levels of learning opportunities: performance, professional skills development, and secondary artistic/administrative skills. The 2025 interns include Kyle Briscoe, Jayden Burrows, Len Crino, Kate Fogg, Brenna McFarland, Maddelena Ohrbach, MacKenzie Sechi, and Emma Yee. For more information on these artists, click…

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Montreal, January 22, 2025 – Due to the significant challenges the entire cultural milieu is currently facing, and which are also affecting us, Orchestre Métropolitain has made the difficult decision to cancel some of its concerts – Fatal Attraction on March 13-14 and Latin Fiesta on May 16. Faced with rising production costs, inflation influencing the public’s cultural habits, and stagnating government subsidies, the OM had a responsibility to make this decision in order to regain a balanced budget and ensure the Orchestra’s long-term stability. All ticket holders will receive a refund within ten working days of the announcement of…

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