Browsing: Baroque and Early

In the summer of 2022 William Christie appeared at Canada’s Festival de Lanaudière with his orchestra, Les Arts Florissants, and proteges of his youth academy, Le Jardin des voix. Bolstered by the success of those performances of Handel’s L’Allegro, il Penseroso ed il Moderato, he won over audiences at the Quebec festival once again in 2023, with the same composer’s comic opera, Partenope. This summer, Christie is back again, this time with a production of Henry Purcell’s The Fairy Queen, with performances at the Toronto Summer Music Festival on July 11 and two days later, back at the Festival de…

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Lully – Armide Stéphanie d’Oustrac, Cyril Auvity, Tomislav Lavoie, Marie Perbost, Eva Zaïcik, Timothée Varon, David Tricou, Virgile Ancely, Anouk Defontenay and Jeanne Lefort; Le Poème Harmonique, Chœur de l’Opéra de Dijon; Vincent Dumestre, music director Château de Versailles Spectacles, 2023 Recorded in May 2023 at Versailles’s Royal Opera, Jean-Baptiste Lully’s Armide here receives a royal treatment in every sense of the word. Le Poème Harmonique, directed by its founder Vincent Dumestre, showcases its expertise in the 17th- and 18th-century repertoire thanks to an interpretation full of the bounding energy which characterizes French music. Each section of instruments seems to…

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Bravura: oeuvres pour cor naturel et pianoforte Louis-Pierre Bergeron, horn; Meagan Milatz, piano Atma Classique, 2024 Horn player Louis-Pierre Bergeron and pianist Meagan Milatz mark historic landmarks in their debut album, Bravura, works for natural horn and piano, produced by Atma Classique. In addition to premiere recordings of selected works by Vincenzo Rhigini and Franz Xaver Süssmayr as well as Cipriani Potter’s Sonata di bravura on historic instruments, the album is the first solo recording of a period brass instrument in Canada.  Performing on reproductions of classical horns and a Viennese fortepiano, the duo’s tasteful and elegant musicianship is apparent…

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All is Love, the new Opera Atelier production is a heterogeneous mix of numbers that impress individually but fail to add up to a dramatically satisfying whole.

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When tackling the Goldberg Variations, it’s hard to take a path that hasn’t been trodden 100 times before. Víkingur Ólafsson’s vision of the work last Wednesday evening at Salle Bourgie, however, had a singular freshness that made the audience momentarily forget all the times they’d heard it before. The Icelandic pianist’s interpretation is a blend of elements and practices that at first seem contradictory. He demonstrates an immense respect for this immortal opus and, at the same time, a malicious interest in challenging the status quo. An old-fashioned approach to the keyboard and, at the same time, a consummate…

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