Baroque and Early - my/maSCENA

This Week in Montreal: June 17 to 23

By La Scena Musicale Team on 17 June 2013 Baroque and Early, Dance, Opera, This Week in Montreal

Discovery and Exploration at the Montréal Baroque Festival In addition to their Grand concerts series, the Montréal Baroque Festival will offer festival-goers more intimate programming, including a recital by this year’s artist-in-residence, Brazilian born Cléa Galhano, and a concert of sacred cantatas by Manuel de Zumaya performed by Mexican ensemble La Fontegara. This festival is a place of exploration and discovery; Soirée sans frontièreswill push the limits of baroque experience by combining early music with the digital arts. This year’s closing event is Élémens, a divine ballet by Jean-Ferry Rebel depicting the Creation, featuring dancers and acrobats. www.montrealbaroque.com – Renée…

This week in Montreal: April 29 – May 5

By La Scena Musicale Team on 29 April 2013 Baroque and Early, Choral, Contemporary, Orchestral, Romantic, This Week in Montreal

Literary and Musical Premiere at ECM+Under the artistic direction of Véronique Lacroix, ECM+ offers a visionary program: Alban Berg’s Chamber Concertoand a premiere by Nicolas Gilbert, Vertiges. Among the soloists are Jimmy Brière, piano, and Jean-Sébastien Roy, violin, as well as four acrobats and narrator Jean Marchand. Salle Pierre-Mercure, May 1 at 7:30 pm. www.ecm.qc.ca- Renée BanvilleQuatrix and the Forests of Resonance (“Forêts de résonances”)Composed of two pianists (Jean-Fabien Schneider and Irina Krasnyanskaya) and two percussionists (Corinne René and Julien Compagne), Quatrix presents the “classics” of the repertoire, comissioned works, and musical arrangements for this little-used formation. Conservatoire de Musique,…

This week in Montreal: April 22 – 28

By La Scena Musicale Team on 23 April 2013 Baroque and Early, Choral, This Week in Montreal

Dramatic Madrigals of Claudio Monteverdi by Viva VoceIn collaboration with Pallade Musica, ensemble Viva Voce presents a program of Claudio Monteverdi’s dramatic madrigals on Saturday, April 27. Shannon Mercer will be the guest soloist. The concert takes place at McGill University’s Redpath Hall, starting at 7:30 pm. www.vivavoce-montreal.com- Daniel TurpLes Boréades and les Idées Heureuses – Concert of Four CountriesUnder the artistic direction of Nathalie Michaud, two baroque ensembles unite to present a panoramic repertoire composed 400 years ago. Speaker Georges Leroux will highlight the musical diversity of four countries: Italy, France, England and Germany. Bourgie Hall, April 28, 3…

James Ehnes Plays Bach

By Paul E. Robinson on 10 December 2012 Baroque and Early, Video of the day, Violin

Canadian violinist James Ehnes is no longer “an exciting young talent” but an international star. He plays regularly with the world’s leading orchestras and conductors and his recordings invariably receive the highest praise. One of his most recent recordings in which he plays both Bartok Violin Concertos and the Viola Concerto (Chandos 10690) has had rave reviews.In this video Ehnes plays Bach’s Preludio and Gigue from Bach’s Partita No. 3 for Unaccompanied Violin. The performance was recorded in the studios of radio station WQXR in New York.Paul E. Robinson

Austin Symphony and Conspirare Partner to Present Psalm Settings by Stravinsky and Bernstein

By Paul E. Robinson on 28 May 2012 Baroque and Early, Concert Reviews, Contemporary, Orchestral

by Paul RobinsonMaestro Peter BayBach/Stokowski: Toccata and Fugue in D minor BWV 565*Stravinsky: Symphony of Psalms**Bach-Stokowski: Passacaglia and Fugue in C minor BWV 582**Bernstein: Chichester Psalms*Conspirare Symphonic ChoirAustin Symphony OrchestraCraig Hella Johnson/ conductor*Peter Bay/ conductor**LongCenter for the Performing ArtsAustin, TexasIt was a clever idea to program together two important Twentieth Century musical settings of psalms, one by Igor Stravinsky and the other by Leonard Bernstein. While the texts are drawn from the same source, the music could hardly be more different. Stravinsky’s Symphony of Psalms is cool and austere while Bernstein’s “Chichester Psalms” is emotional and more popular in style.…

Van Zweden/DSO “Passion” a Performance for the Ages!

By Paul E. Robinson on 9 April 2012 Baroque and Early, Choral, Concert Reviews, Orchestral

Author : (Paul E. Robinson)

J.S. Bach: St. Matthew Passion BWV 244 John McVeigh, tenor Morgan Smith, baritone (Christus) Camilla Tilling, soprano Jennifer Johnston, alto Johannes Chum, tenor (Evangelist) Alistair Miles, bass Dallas Symphony Chorus, Joshua Habermann, director Children’s Chorus of Greater Dallas, Cynthia Nott, director Dallas Symphony Orchestra, Jaap van Zweden, conductor Meyerson Symphony Center Dallas, Texas Friday, March 29, 2012 Jaap van Zweden, recently named “Conductor of the Year” by Musical America, has been recognized by music-lovers in Dallas since 2008 – the start of his music directorship of the DSO – as an extraordinary leader of musicians. He has impressed audiences and critics alike in the “Big D” with his…

A Miraculous Musical Pilgrimage With Conspirare’s Company of Voices

By Paul E. Robinson on 2 February 2012 Baroque and Early, Choral, Concert Reviews, Orchestral

by Paul E. RobinsonTalbot: Path of MiraclesConspirare: Company of Voices/Craig Hella Johnson, conductorSt. Martin’s Lutheran ChurchAustin, TexasFriday, January 20, 2012Now in the middle of its 19th season, Conspirare’s 24-member Company of Voices continues to be innovative and inspiring. Its latest presentation was the regional premiere of Path of Miracles,a 70-minute work by British composer Joby Talbot; a beautiful work, it was given a superb performance on this occasion by Craig Hella Johnson & Company.Path of Miracles depicts the famous medieval Christian pilgrims’ walk from France to Santiago, in homage to St. James, one of Jesus’ disciples, and the patron saint of…

Conspirare and Craig Hella Johnson Give Voice to Passions From Bach to Lang!

By Paul E. Robinson on 24 May 2010 Baroque and Early, Choral, Concert Reviews

by Paul E. RobinsonBach’s St. Matthew Passion is one of the great masterpieces of Christian music; its music is sublime and inspiring, and its structure is one of its great strengths. Crowd reaction to Christ’s suffering is built into the telling of the story, and chorales in which the congregation is expected to participate, are also integral to the piece. A few years ago, American composer David Lang appropriated this structure as the inspiration for a work of his own, The Little Match Girl Passion, based on the well-known story by Hans Christian Andersen. Conspirare’s superb Company of Voices recently…

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