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The trouble with most music by unfamiliar contemporary composers is that the listener has no idea where it’s coming from. The Austrian Gerald Resch gets over this hurdle by rooting his third string quartet, ‘attaca’, in Beethoven’s first Razumovsky quartet, opus 59/1. The context works remarkably well. Resch, 46, is a former music journalist embedded in Viennese music, both historic and modern. He works with ensembles as different as the period-instrument Concentus Musicus and the Aureum saxophone quartet. In creating ‘attaca’ he had a period of immersion with the trendy, Frankfurt-based Aris Quartet, among the most accomplished on the circuit.…