More than 100 artists, arts leaders, and professors announce $130,000 New Music Solidarity FundFund to offer $500 emergency grants to performers of music by living composers impacted by COVID-19 cancellations Donate to the New Music Solidarity Fund now Apply to the New Music Solidarity Fund starting on March 31 Watch the announcement video More than 100 artists, arts leaders, and professors in the field have announced the New Music Solidarity Fund, an initiative that aims to grant emergency funding to musicians impacted by COVID-19. At the time of the announcement, more than $130,000 has been pledged. The fund will be administered through New Music USA, and all donations…
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Scientific research and musical creativity will be honored at the next IRCAM Forum Hors les murs, which will be held for the first time in its history in Canada in April. Researchers, composers, performers and music lovers are invited to a series of workshops and concerts that take place in Montreal around the themes of spatialization, orchestration and perception. The forum is organized in partnership with Le Vivier, CIRMMT, the Society for Arts and Technology (SAT), McGill University and the Université de Montréal and will take place in various venues around the city. A veritable high mass of new music,…
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More than 100 musicians and singers will fill the Church of the Gesù on April 26 to perform the latest symphonic work of composer and guitarist Tim Brady. Soberly titled Silence, Symphony No. 10, this new opus adds to the imposing corpus of the Montreal composer whose career spans more than four decades. Cultivating an obvious taste for large-scale music, Brady will on this occasion be accompanied by the musicians of the Nouvel Ensemble Moderne and their leader Lorraine Vaillancourt, in addition to the members of his ensemble of electric guitars, Instruments of Happiness. To these musicians will also be…
Never miss a Quatuor Molinari concert. It might end up being a Prix Opus-winning event. Actually, I had a few reasons turn up at the Conservatoire on the final evening of January. One was an opportunity to hear Schoenberg’s String Quartet No. 4 – probably the first in Montreal since this enterprising ensemble played a Schoenberg cycle in 2012. One can understand why the Fourth is a less-than-frequent flyer on the standard chamber circuit. Made of 12 tones and multiple time signatures, it poses considerable technical and intellectual challenges, which the Molinaris managed adroitly in this taut reading. The rigour…
BY PAUL E. ROBINSON ON 26 JANUARY 2020 Austin, TX – Joby Talbot’s one-act opera Everest was composed in 2014, and is based on an ill-fated Mount Everest expedition in 1996 in which several climbers perished. The premiere was presented by Dallas Opera in a fully staged version. Three years later it was again performed in Dallas but this time in a semi-staged version with the orchestra on stage. It was this version that was offered last week by Austin Opera at the Long Center for the Performing Arts. Among the survivors from the 1996 expedition was the journalist Jon…
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Winter Classics Festival Jan. 31 to Feb. 2 The Orchestre symphonique de Laval is launching its Winter Classics Festival, a joyous occasion to listen to classical music in a festive setting with refreshments and activities for all. Because it coincides with the 250th anniversary of the birth of Beethoven, the composer’s great classics, such as his Fifth and Seventh Symphonies, will be played in four concerts over three days. Alain Trudel conducts, with Charles Richard-Hamelin at the piano in the “Emperor” Concerto and a hundred-strong choir in Beethoven’s Ninth. Entertainment includes yoga, fireside stories and skating, while hot chocolate, beer…
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Nicole Paiement is one conductor not lacking for work in the opera circuit. Fresh from a run of Jake Heggie’s Dead Man Walking, staged by the Lyric Opera of Chicago last month, she moves on to our city to collaborate with the Opéra de Montréal in its January production of Written on Skin by George Benjamin. Next up for her are performances of Stravinsky’s Pulcinella and Poulenc’s La Voix humaine with the Dallas Opera from April 3 to 8. With Opera Parallèle, her own company based in San Francisco, she will be at the podium for three consecutive performances in…
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NEW YORK – It is possible to lose a sense of perspective after a good night of Bruckner. The critic in me urges caution. Best live Fourth Symphony I have heard in months! My heart suggests something a little less guarded. Best in…well, quite a while. Certainly the performance ranks among the signal achievements in the history of the Orchestre Métropolitain, which on Friday made its third stop on a four-city U.S. tour and, not incidentally, its debut at Carnegie Hall. You can imagine a new punch line to the old gag about how you get there: by having Yannick…
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Much acclaimed on the international contemporary music scene, the Quasar saxophone quartet is celebrating its milestone 25th anniversary this year. From its first concert in 1994 till now, all four members have never wavered in their commitment to the group and its dedication towards all things creative. For its current concert season, the group intends to focus more on the future than the past, with a view of renewing itself. Marie-Chantal Leclair, Quasar’s managing director and soprano player, recalls the foursome’s first outing: “We premiered four pieces that evening, and it was more than a wish for us to do…
Shostakovich’s Symphony No. 13 “Babi Yar” is a brave choice for an OSM season opener. Cast in five movements, it runs the gamut from sorrowful to scornful, confines itself vocally to males and makes many of its musical points at a sustained fortissimo. The Yevgeny Yevtushenko text refers to a Nazi massacre. The hourlong-plus experience can be onerous for a gala crowd, unless the performance is as inspired as it was under Kent Nagano Tuesday night in the Maison symphonique. It is hard to describe in words the mix of horror, irony and humanity that the composer calibrates so exactly…