Browsing: Orchestral

Clara, Robert, Johannes: Atmosphere and Mastery National Arts Centre Orchestra (directed by Alexander Shelley) Analekta, 2023 Conductor Alexander Shelley and the National Arts Centre Orchestra present the third recording of a four-volume collection featuring three of the most iconic composers in the romantic-era: Clara Schuman, Robert Schuman and Johannes Brahms. Bru Zane is devoted to the rediscovery and international promotion of French repertoire dating from 1780-1920. Les Nuits de Paris is the French equivalent of the Vienna Philharmonic’s New Year’s Concert, devoted to music by Johann Strauss and his Viennese contemporaries. The opening, Robert Schumann’s Symphony No. 3 in E-flat…

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Bruckner: Symphony No. 4 in E-flat major (original 1874 version, ed. L. Nowak) Gürzenich Orchestra, Cologne (conducted by François-Xavier Roth) Myrios Classics, 2023, MYR032D Total Time: 69:34 In 2024, the musical world will honour the birthday of Anton Bruckner, one of Germany’s greatest symphonists. We will undoubtedly see a veritable deluge of new Bruckner recordings in the next few months. François-Xavier Roth and his Gürzenich Orchestra, for example, have announced a complete cycle of his symphonies. This first CD suggests we are in for something special. Roth interprets the original 1874 version of the Fourth Symphony. It is very different…

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Sergei Rachmaninoff: Symphonies Nos. 2 & 3. Isle of the Dead The Philadelphia Orchestra (conducted by Yannick Nézet-Séguin) DG 28948647781 Total Time: 123:20 (2 CDs) This 2-CD set completes Yannick Nézet-Séguin and the Philadelphia Orchestra’s recordings for Deutsche Grammophon’s Rachmaninoff 150 celebration, which included the recent Rachmaninoff Piano Concertos (with Daniil Trifonov), and the 2021 release of Symphony No. 1 and the Symphonic Dances. While other performances have been outstanding, this recording of the Second Symphony disappoints. While there are many moments of great beauty, the work lacks passion, particularly at the climactic and final moments, at which point Nézet-Séguin…

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Toronto, ON – Sinfonia Toronto has announced its 2023-2024 Silver Anniversary season. The orchestra will celebrate its 25th season with premieres by Canadian and international composers and with the return of many audience favourites – both beloved works and popular guest artists. Commenting on the new season, the orchestra’s music director Nurhan Arman said, “All of us at Sinfonia Toronto are grateful for all the years of support by our loyal audiences in the GTA and throughout Ontario. From our early days onward we have performed for Ontario audiences all over, from Sarnia to Sault Ste-Marie, Barrie to Brockville and many…

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It is not often that the Toronto Symphony Orchestra (TSO) features a soloist from Iceland, nor does it frequently play music by Icelandic composers. Yet this week we had both – on the same program. Not only that, the TSO gave us a new piece by a Metis composer. But wait, there’s more. Super Mozart and spectacular Berlioz. In short, a great concert. The TSO is currently celebrating its 100th anniversary, and someone came up with the brilliant idea of commissioning 10 Toronto composers to write short pieces to draw attention to it. The first of the Celebration Preludes was…

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This was an unusual week at the TSO. After violin superstar Nicola Benedetti cancelled her appearance on short notice, the orchestra had to scramble for a last minute program change. Audiences were no doubt disappointed about Benedetti’s cancellation, as she was scheduled to perform the Canadian premiere of the Wynton Marsalis Violin Concerto, a piece specially written for her. This may explain the many empty seats at Roy Thomson Hall last night. Fortunately, the TSO found a more than worthy replacement in Italian-German-American virtuoso Augustin Hadelich, who already wowed Toronto audiences earlier this season with his Sibelius Violin Concerto. Also…

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Sibelius 3 & 4 Symphony No. 3 in C major, Op. 52; Symphony No. 4 in A minor, Op. 63 Orchestre Métropolitain de Montréal; Yannick Nézet-Séguin, conductor ATMA Classique 00720564453325 Total Time: 68:41 This is the latest release from Yannick Nézet-Séguin and his “hometown”orchestra, the Orchestre Métropolitain (OM). Yannick remains very active as music director with the Philadelphia Orchestra and the Metropolitan Opera, but he continues to show an admirable loyalty to the organization that really started him on his way. This new CD is a continuation of a recorded Sibelius cycle which started in 2019 with Symphony No. 1…

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How do you top a musical program of a world premiere paired with two classical warhorses? You add a star soloist from violin royalty. This week’s program is true to music director Gustavo Gimeno’s vision for the TSO’s centennial to introduce new commissions along with the familiar. The TSO commission and world premiere entitled “Hwa (Flowering)” is a new work from its own Affiliate Composer, the young Alison Yun-Fei Jiang. Jiang wrote this piece as a tribute to her grandmother and all the women who shaped her life. She describes the piece as a musical painting, an orchestral canvas on…

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Author : (Eva Stone-Barney)

MONTREAL/QUEBEC Centre Culturel de Pointe-Claire In an effort to make cultural programming accessible to its residents, and breathe life into public park spaces, the Centre Culturel de Pointe-Claire will present a series of free concerts as part of their Summer Evenings in the Parks / Summer Beats in the Parks Festival. Running from June 28 to Aug. 16, the festival will consist of 10 concerts in parks across the city. Starting at Stewart Park on June 28, audiences are invited to a concert of world music titled Paul Kunigis: Yallah. Performances of blues, Latin jazz, world jazz, and Brazilian percussion…

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Seong-Jin Cho shot to fame after winning first prize at the 17th Chopin International Piano Competition in 2015. Since then, Cho has played the Chopin concertos many times, but he is beginning to shine in other repertoire. Cho is keen to find new details in music, especially in the Chopin Concerto No. 1 in E minor, Op. 11, which he performed in the finals of the Chopin Competition. “I always try to discover new timing, different nuances,” Cho explains. “Chopin wrote this concerto when he was 20 years old, so it’s a different kind of romanticism than that of Mahler,…

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