by Paul E. RobinsonNot even the greatest of composers has left the world a portfolio of only masterpieces – a case in point being Franz Liszt (1811- 1886), undoubtedly one of the most famous composers who ever lived.The Austin Symphony recently celebrated the Liszt bicentennial by programming the composer’s Piano Concerto No. 1 and Totentanz for piano and orchestra; the former remains solidly in the standard repertoire, while the latter barely qualifies for even an occasional performance.Music director Peter Bay was hedging his bets in honouring Liszt. He gave us two Liszt works for piano and orchestra with Italian pianist…
Browsing: Classical Music
by Paul E. RobinsonI must confess that I was reaching the point where I doubted I could sit through another performance of Carmen! The plot was too silly, the music overly familiar and the characters merely cardboard cutouts; then, along came the Royal Opera House production directed for the stage by Francesca Zambello, and for film by Julian Napier. Did I mention it was in 3D?This production of Carmen (poster: right) in 3D was a fantastic experience, and completely restored my faith in Bizet’s venerable opera. It also provoked me to question the Met’s pioneering efforts in streaming opera live…
by Paul E. Robinson It was just over a year ago that Austin music lovers last heard Anne Akiko Meyers (photo: above) in an imaginative and brilliantly played recital at the Butler School of Music at the University of Texas. Meyers had recently been appointed to the faculty at the school and – with a baby on the way – she and her husband had decided to move to Austin. What a coup for the school, its students and Austinites! We all looked forward to hearing Meyers on a regular basis; unfortunately, even the most carefully planned relationships don’t always…
Here is the Metropolitan Opera’s 2011-12 Season announcement.Wah Keung Chan—Seven New Productions, Including a World Premiere,a Met Premiere, and the Complete Ring Cycle,Headline the Met’s 2011-12 SeasonJames Levine conducts the final two installments of Robert Lepage’s production of the Ring: Siegfried and Götterdämmerung; complete cycles scheduledfor April and May 2012The season opens with the first-ever Met performance of Donizetti’s Anna Bolena,starring Anna Netrebko in the first of two new productions she sings this season; Laurent Pelly’s production of Manon follows in AprilThe world premiere of The Enchanted Island, a pastiche of Baroque music and Shakespearean comedy, opens on New Year’s EveTony Award-winning stage directors Michael Grandage and Des McAnuffmake their Met debuts…
By Frank Cadenhead The prime-time live telecast Monday night, February 14, of the French show Victoires de la Musique Classique was already good news. This is the top awards show for classical music in France, comparable to America’s Grammy awards, and it focuses mainly on French artists. But in competition with other shows on the major channels, its traditionally weak ratings always cause talk of taping it and showing it on off hours. This year, from the convention center in the city of Nantes, it headlined the Orchestre National des Pays de la Loire and their engaging young American conductor, John…
Soprano Simone Osborne (photo: Connor Beaton)It has just been announced that Vancouver soprano Simon Osborne will be making her Vancouver Opera debut as Juliette in Gounod’s Romeo et Juliette next season. Below is the Press Release from Vancouver Opera. Osborne burst onto the scene after winning the Metropolitan Opera National Council Auditions in 2008, and has since taken on major assignments. Currently she is Pamina in the COC production of The Magic Flute. Upcoming engagements include an Atlantic Canada recital tour, Gilda in Rigoletto for the COC next season, and Mozart Requiem for the Toronto Symphony Orchestra in January 2012.*******************Vancouver…
Just received the following press release from the Met – Newfoundland baritone Peter Barrett is making his Met debut this evening as Dr. Malatesta opposite a stellar cast of Anna Netrebko Norina and Matthew Polenzani as Ernesto. This is great news for Peter and for Canadian opera. He was a member of the COC Ensemble, and even at that early stage of his career, he had all the ingredients of a major singer – gorgeous voice, solid training, stage presence, musicality, and the drive and ability to excel. We say Bravo to Peter, and “Toi toi toi” for this evening!…
by Paul E. RobinsonCraig Hella Johnson never ceases to amaze us. Just when you think his exceptional musical imagination has surely outdone itself, he comes up with something even more remarkable. His latest achievement was a festival given at St. Martin’s Lutheran Church in Austin and called Renaissance & Response: Polyphony Then and Now. Sound like an article in an academic journal? Perhaps, but that didn’t stop his many followers from selling out four concerts in one weekend and to judge by the concert I attended, enjoying every moment of it.The basic concept of the festival was to combine music…
Werther @ The Montreal Opera: two shows left on Jan. 31 and Feb. 3It’s your last chance to catch the beloved Massenet adaptation of Goethe’s Sturm und Drang masterpiece. A success since its 1892 premiere, Werther is one of the staples of the operatic repertoire. The Montreal Opera’s production is a rare treat to sample the rare baritone scoring for the lead role, which Massenet wrote himself for Mattia Battistini in 1902. It transfers the action from late 18th-century Germany to 1920s America, in a move which the Gazette’s Arthur Kapatainis suggests alludes to a Gatsby-Daisy relationship between the troubled…
For its 100th edition, the Prix d’Europe is launching its Music Journalism Prize in honour of Claude Gingras (Prix d’Europe en journalism en homage à Claude Gingras). All articles (news/information, features including interviews, profiles and music history article, and reviews) published in English and French in 2010 will be eligible. Deadline for submissions: February 28, 2011. http://www.prixdeurope.ca/