Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

by Paul E. RobinsonWhat a revolutionary idea it was to provide surtitles (“translated or transcribed lyrics/dialogue projected above a stage or displayed on a screen”) in the opera house! All of a sudden, people actually understood what was going on. An art form that had been forbidding and impenetrable for millions was transformed into something welcoming and meaningful. Shame on the Karajans and Levines who, for whatever reason, delayed that monumental breakthrough in communication.I believe the concert hall could use the same communication overhaul afforded the opera house. To my mind, vocal works should always have surtitles; most often, they…

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By Hannah Rahimi and Kali HalapuaThe 86 year-old Menahem Pressler appeared last night at Pollack Hall before a packed house of appreciative musicians and music lovers. A generous performer, Pressler smiled throughout the evening, possessed with a twinkling energy that fueled his playing and spread throughout the audience. Well-programmed, the concert consisted of Dvorak’s Quintet in A Major, Op. 81, performed with the Cecilia String Quartet, McGill’s graduate quartet in residence, followed by Schubert’s beloved “Trout” quintet, performed with McGill faculty members, Jonathan Crow (violin), Douglas McNabney (viola), Matt Haimovitz (cello) and Ali Yazdanfar (double bass).The young Cecilia Quartet presented…

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Musique / MusicThe prodigious German violinist Christian Tetzlaff makes his debut with the OSM on March 15 and 16 in a performance of Tchaikovsky’s Violin Concerto. This concert will feature the renowned conducting skills of Sir Andrew Davis, who will also lead the orchestra in performances of Debussy’s Prélude à l’après-midi d’un faune and Elgar’s first symphony. (www.osm.ca, 514-842-2112) – Hannah RahimiThe Molinari Quartet celebrates the Russian composer Alfred Schnittke with a series of lectures and performances at the Conservatoire de musique de Montréal. On March 17, 18, and 19, audiences can attend free lectures at 5 p.m. Each evening…

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by Paul E. RobinsonLast week, at the Long Center for the Performing Arts, Peter Bay and the Austin Symphony presented an all-Russian program: Rachmaninov’s Vocalise, followed by the Rachmaninov Piano Concerto No. 3, and closing with the Shostakovich Symphony No. 5, the Russian composer’s most popular symphony.As always, Maestro Bay had prepared well and interpreted the music with assurance and without exaggeration of any kind. In the opening piece, Vocalise, Bay went for a nuanced, understated beauty that suited this slight work very well. Personally, I would like to hear more expansive phrasing in some sections, but then I may…

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Musique, théâtre, arts visuels et danse à Montréal cette semaineMusic, theatre, visual arts and dance in Montreal this weekArts visuels : Le verre selon Tiffany. La couleur en fusion » Montréal, Musée des beaux-arts de Montréal, du 12 février au 2 mai 2010Danse : Dès le 4 et jusqu’au 21, Tangente y va d’une programmation tous azimuts avec, notamment Caroline Dubois, Andrew Turner et Isabel Mohn. Du 5 au 20, Paula de Vasconcelos revient séduire avec sa danse-théâtre en racontant l’histoire de la découverte de la route des Indes dans Boa Goa tandis qu’Isabelle Van Grimde présente Bodies to Bodies,…

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by Giuseppe PennisiGenerally, Strauss-Hofmannsthal’s “tragedy for music” Elektra is normally performed in comparatively small opera houses in Germany and in a few Central European countries. Most administrators and musical directors are scared by the thought of assembling a 115-piece orchestra, five Wagnerian singers, a large number of soloists in smaller roles and keeping the audience enthralled in their seats for nearly two hours of extreme tension and emotion.Well, this season two different productions of Elektra can be seen in Italian Provincial theatres. They are quite successful and surprisingly attract also a new and younger audience, and they are likely to be revived next season.Italy…

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by Giuseppe PennisiIn 2009, the death of Giuseppe Martucci was an important centenary that received scant notice, even in Italy. The main event was a series of concerts by Orchestra Sinfonica di Roma (OSR; see La Scena’s blog on December 18th) in the gardens of the Caserta’s Royal Palace. Caserta is near Capua, where Martucci was born in 1856. Its Royal Palace is the Southern Italian equivalent of Versailles. Naxos and the OSR have taken a major step to preserve the memory of Martucci with the release of an elegant blue and gold box set of four CDs containing Martucci’s complete…

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by Paul E. Robinson The Dallas Opera has a long and illustrious history. It was founded in 1957 and its first presentations featured the legendary Maria Callas in a Zeffirelli production of La Traviata, as well as in Medea, and Lucia di Lammermoor. Other big stars followed, including Montserrat Caballé, Placido Domingo, Joan Sutherland and Jon Vickers.Those were Dallas Opera’s Golden Years; unfortunately, the money just wasn’t there to sustain the company at this level, especially when performances had to be given in the enormous and inhospitable Music Hall at Fair Park. Today, over 50 years after its inception, with…

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by Paul E. RobinsonThere are plenty of recordings of Shostakovich’s Symphony No. 7 Op. 60 (Leningrad), but one rarely gets a chance to hear it in concert. The same could be said, only more so, for Benjamin Britten’s Violin Concerto Op. 15. To have them both offered on the same program is a special treat; thus, Jaap van Zweden and the Dallas Symphony (DSO) had me excited even before they played the first note of this concert at Morton Myerson Symphony Center in Dallas, Texas. As it happens, these two works were composed within a few years of each other:…

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Musique, théâtre, et danse à Montréal cette semaineMusic, theatre, and dance in Montreal this weekOrchestral Music: Kent Nagano leads the Orchestre symphonique de Montréal in a varied programme on February 15 and 16 at Place des Arts. Austrian pianist Till Fellner (pictured here), a protégé of Alfred Brendel, will perform Beethoven’s Piano Concerto #1. Fellner is currently recording all five Beethoven Piano Concertos with Nagano and the OSM. Also on the programme is the world premiere of Gilles Tremblay’s L’Origine, featuring mezzo-soprano Michèle Losier. 514-842-2112, www.osm.ca – Hannah RahimiThéâtre : En février, le Théâtre du Rideau vert met à l’affiche…

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