Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

Noxious Crossover by Norman Lebrecht / June 14, 2000 ONE night last week, having despaired of finding anything more cultural on British television than saggy-bottomed naturists on Channel 5, I was zapping around the cable map when Italy, for once, came up trumps. Rai-Uno, the premier state channel, had cleared its schedules of sappy game shows and was relaying a live event entitled Luciano and Friends. The mighty Pavarotti was making music in his hometown of Modena for the benefit of Tibetan charities. The Dalai Lama, no less, was sitting in the front row of the arena and beside him…

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On donations to the arts in Europe and America TIS the season to be giving. Something close to £12 million poured in last weekend to the BBC’s Children in Need appeal. Another record total is confidently expected for the annual Telegraph charity fund-raiser next Sunday. Manning the phones for The Telegraph, I never fail to be moved and humbled at the generosity of thousands of people who want to give others the chance of a better life. Never in human history has so much been freely given by so many in good causes – and I have the figures to…

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Le Monde Awards La Scena Musicale Online 4 Stars ———————————————————————— Press Release Le Monde Awards La Scena Musicale Online 4 Stars Montreal / June 12, 2000 – In its special “Best of the Net” issue in May, Le Monde awarded 4 stars out of 4 to La Scena Musicale Online. Only two of the seven classical music websites listed received 4 stars. Every day, news and articles on classical music are published world-wide on the internet. Finding that particular interview of Renee Fleming is not always easy. A new feature at La Scena Musicale Online (scena.org), called ClassicalMusicNews.org links classical…

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How Smith Has Crippled Culture by Norman Lebrecht / June 7, 2000 IN THE bleary fourth year of New Labour, few members of the Cabinet have enhanced their career prospects. Beyond the big guns of Blair and Brown, the further you look down the table the bigger the pile of fumbles and foul-ups – until you reach the lowliest seat of all, where the Secretary of State for Culture, Media and Sport wears a broad smile and an almost unsoiled record. Whispers in the political wind suggest that Chris Smith is due for a move in this summer’s reshuffle. He…

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Mariss Jansons – High Drama on the Podium by Norman Lebrecht / May 31, 2000 FORTY minutes before a concert, Mariss Jansons mounts the stage and checks the musicians’ seating. The second clarinet’s chair is moved half an inch to the right, the tuba’s turned 15 degrees towards centre. Like a brain surgeon, Jansons needs to be assured that all his instruments are correctly aligned before he can start to operate. More than any conductor I have known, Jansons is preoccupied with his precision tools. Among friends, he compares the vagaries of orchestras. If he has a spare hour on…

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Antony Beaumont, Zemlinsky Faber & Faber, £30. 524pp Book Review by Norman Lebrecht / May 10, 2000 Probably the cruellest tribute ever offered by one composer to another was Arnold Schoenberg’s fiftieth-birthday greeting to his brother-in-law. ‘Zemlinsky,’ said Schoenberg, ‘can wait.’ What he meant, acolytes argued, was that a composer of Alexander von Zemlinsky’s quality could sleep soundly abed, confident that posterity would recognise his merit. However, even in the city of Sigmund Freud’s dreams where subtext overwhelmed context, the plain meaning of Schoenberg’s words was unmistakable. Zemlinsky, he reckoned, was not one of those artists who alter the destiny…

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SSUE 1818 Wednesday 17 May 2000 Friends in need?   BOC Covent Garden Festival – official site   Norman Lebrecht on the callous misnomer “arts community” THERE are one or two lessons about money that I have picked up during 20 years of unremitting arts crisis. The first is never to believe a public-funded company that says it is going broke. When the cash runs out, there is seldom enough time to sound the alarm. A funded institution that cries “bust!” is doing no more than playing the joker in a long-running game of brinkmanship. Another hard-learned tip is not…

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Good Managers are Hard to Find by Norman Lebrecht / May 10, 2000 THE Royal Philharmonic Orchestra has lost its manager. What, again? I hear you cry. There is a well-established pattern in the life of London orchestras, and this one in particular, that when they return from an arduous tour to find the diary half-empty and a record company (BMG) gone cold, the players call an emergency meeting and the board, in a panic, offers up the manager as a human sacrifice. John Manger had done sterling work in the five years since Paul Findlay was ousted. He gave…

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Heard But No Longer Seen by Norman Lebrecht / May 3, 2000 WHICHEVER way you look at it, and many have given up watching, BBC Television has forsaken serious music. During the 1990s, concerts, opera and music-related programming fell by half. What remains is a clutch of six or eight summer Proms and a few Christmas specials. Whenever this column reported the decline, BBC executives demanded the right of denial, maintaining that any apparent reduction was but a temporary adjustment. Now the retreat is complete. The BBC director general, Greg Dyke, has relieved television of its responsibilities for classical music.…

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The Lebrecht Weekly   One More Knell for Classical Recording by Norman Lebrecht / April 26, 2000 ANOTHER torpedo has struck classical recording, inches below the waterline. BMG Classics, one of the last flagships of a shrinking fleet, is being wound down to the point of wipeout. Distraught executives broke the news to the Washington Post, warning that most of the 120 staff would be laid off. More serious is the fate of the artists. The King’s Singers and Evelyn Glennie have lost their contracts, James Galway’s is in the hands of a New York lawyer. Plea-bargain attempts are being…

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