+ Marc Chénard’s account of the 2016 Cartel New Music Conference presented June 1–5 at le Vivier. “In the wake of its most recent meetings, Cartel is still a work in progress. There are still several hurdles to clear, the most significant of which way will be the contrasting mindsets of North-American and European presenters. On that issue, Pierrette Gingras sees one main difference in that the former are much more action oriented than the latter, who are more inclined to engage in ideological or conceptual discussions.” + Rappers Queen Latifah, Missy Elliott, and Lil Kim were honoured on Monday…
Browsing: Popular Music
At age 22, Conrad Tao has won honours ranging from the Davidson Fellow Laureate to the being the Dallas Symphony Orchestra Artist-in-residence for 2015–2016. In today’s video of the day, Tao takes on his match in the popular music world by covering Beyoncé’s ‘Blue’ off the singer’s 2014 album, Beyoncé. Conrad Tao – “Blue (Beyoncé cover)”
+ This Day in Music: George Gershwin died this day in 1937. + The 37th edition of the Festival International de Jazz de Montréal was a resounding success for all involved, read the festival summary here. + A benefit concert for Black Lives Matter on Wednesday in New York City is tragically timely in light of recent events. + Angèle Dubeau & La Pietà’s albums have now been streamed more than 30 million times across more than 100 countries. + Read Kiersten van Vliet’s review of Gershwin arrangements for solo piano by British composer Michael Finnissy, played by Dirk Herten. “Finnissy, who celebrated…
George Gershwin’s songs are so ubiquitous that it is hard to imagine an experience of his work untouched by adaptations, whether in film or in the concert hall. This set of 13 tunes was transcribed by English composer Michael Finnissy over the same number of years, between 1975 and 1988. Finnissy is perhaps best known for his transcriptions, from his English Country Tunes (1982–85) to his completion of Mozart’s Requiem (2013). Finnissy, who celebrated his 70th birthday earlier this year, hailed Dirk Herten’s performance as “thoughtful, sensitive, [and] delicately-shaded,” while praising his refined touch. He continued, “I feel like a…
Montreal, Saturday, 9 July 2016 – When it comes to musical pleasure, nothing delivered like this 37th edition of the Festival International de Jazz de Montréal, presented by TD in collaboration with Rio Tinto! For 11 days and nights, from June 29 to July 9, 2016, jazz unfolded in all its sounds, shapes and styles… a Festival of effervescence and serenity, full of raw, passionate, challenging, inspiring, impressive musical moments! With a program this eclectic and packed with options, with young newcomers and veterans, Montréalers welcoming tourists, and fans of jazz, electronica, blues, hip-hop, etc. rubbing shoulders under the stars of our…
Gershwin, one of the main catalysts for jazz to become America’s music, was a composer and pianist who bridged popular and classical modes. His prolific compositions are now considered jazz and pop standards, most notably the “rhythm changes” in his tune “I got Rhythm” that would become a seminal chord sequence for bebop development. Notable works include An American in Paris, Porgy and Bess, and Rhapsody in Blue. Ella Fitzgerald – “Summertime”
+ Canadian violinist and winner of the OSM’s Manulife Competition in 2004, Nikki Chooi has been named the new concertmaster of the Metropolitan Opera. + China’s Cultural Revolution made listening to Beethoven a political crime, but half a century later, the relationship between Chinese people and western classical music has evolved in unpredictable ways. “When it comes to ways of listening, the Chinese have long been open to other cultures and to change – not in a revolutionary way, but through a process that builds on its long musical tradition.” + Video of the Day: Lullabies with Alessio Bax on…
Lila Downs performed last Saturday night at the Métropolis theatre for the Montreal International Jazz Festival. Close to 2,000 fans gathered to see the singer-songwriter and her band perform a repertoire of Mexican rhythms fused with jazz instruments and players. It was precisely because of this capacity for mixing styles, while remaining true to her cultural roots, that she received the 2016 Antonio Carlos Jobim award as “an artist distinguished in the field of world music whose influence on the evolution of jazz and cultural crossover is widely recognized.” These cultural and musical crossovers are an important part of Lila Downs’s…
+ Read Jeanne Hourez’s review of Nicholas Angelich’s latest release of Liszt, Schumann, and Chopin. (French) + Jacques Lacombe was invited to the Tanglewood Music Festival for the third consecutive year. He will lead the Boston Symphony Orchestra with soloist Joshua Bell on July 8, and Orff’s Carmina Burana on July 9, followed the next day by a concert with the Tanglewood Music Center Orchestra with a program of Tchaikovsky’s Romeo and Juliet and Schumann’s Third Symphony. (French) + 53 years ago today, the Beatles invaded America with “From Me to You.” + In light of the ongoing Montreal Jazz…
The origin of the moniker “Lennon-McCartney” dates back to a writer credit for a 1963 Del Shannon cover of The Beatle’s tune “From Me to You.” Initially placing 87 on the Billboard Hot 100, “From Me to You” was the first imprint of the British Invasion on the American pop music scene, a scene the Beatles would soon dominate. The song was also the first to be a genuine collaborative composition, as Lennon and McCartney wrote it through a back-and-forth exchange on a bus to a tour in Shrewsbury. Del Shannon — “From Me to You”