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Browsing: Popular Music

Young Verdi & Ladino Music: A Possible Connection

By Sharon Azrieli on 3 October 2018 Folk, Opera

Born in Roncole, Italy, on Oct. 9 or 10, 1813, Verdi was named in French, Joseph François Fortunin. At that time, that part of Italy was still under French dominion. He was the son of Carlo and Luigia Verdi. Verdi’s parents owned a tavern close to Busetto in the Parma region of northern Italy. His parents were middle-class, educated Catholics. His father even bought a spinet piano for his young son, which indicates both that they were people of means and that they supported Verdi’s talent from a young age. Verdi received his main musical education as a child from the…

Socalled and the Kaiser Quartett Photo: courtesy of the artist

Socalled Meets String Quartet: Whatever the Medium, Yiddish Culture is Here to Stay

By Shira Gilbert on 1 October 2018 Chamber Music, Popular Music

A fixture on the Montreal music scene with an impressive following abroad, Josh Dolgin, a.k.a. Socalled, has been dubbed “the mad wizard of Yiddish hip-hop.” Over the last two decades, his whimsical blend of seriously irreverent artistry has popped up in concert halls, clubs and cinemas, as he dabbles in cartooning and magic and takes part in far-flung collaborations like Tales from Odessa, his Yiddish gangster puppet musical for the Segal Centre, and the Juno-nominated album AKOKA, with classical cellist Matt Haimovitz and klezmer clarinettist David Krakauer. This fall sees the release of both his original queerotic film The Housesitter along…

Quintette Kleztory: A Mosaic of Influences and Emotions

By Benjamin Goron on 1 October 2018 Folk, World Music

Kleztory is a stunning example of the power and the universal nature of the language of klezmer music. Strange to say, this internationally renowned quintet does not have any members of Jewish origin. From Russia, Western Canada and Quebec, the five musicians came together for their shared love of traditional klezmer music – into which, however, they do not hesitate to take the liberty of weaving their diverse personalities. Their return from Trondheim, Norway, where they will participate in a festival of Jewish culture, will mark the beginning of a rich season of travel and gatherings. Sidewalks to Studios Clarinettist…

2018-2019 Carrefour Mondial de l’Accordéon Remembered

By Adrian Rodriguez on 4 September 2018 Folk, Popular Music, Winds

Saturday, September 1 was one of the busiest journeys of the five-day Festival with 6 indoor concerts, a Masterclass with Russian accordionist Roman Jbanov, a Trad Quebecois dance event and free concerts held all over the town in different outdoor stages and restaurants. I also wanted to visit the Accordion Museum at the historical Manoir et four a pain Couillard and the photographic exhibition by Julien Simard which documented 30 years of the festival’s history. My first order of business was to meet with accordion prodigy Andrea Di Giacomo. The 22-year-old left the audience in awe at the Opening night…

Michael Hewitt as Lieutenant Horstmayer and Arnold Livingston Geis as Nikolaus Sprink in The Glimmerglass Festival's 2018 production of Kevin Puts and Mark Campbell's "Silent Night." Photo: Karli Cadel/The Glimmerglass Festival

Through the Glimmerglass, 2018 – Reflections of a Turbulent Century

By Charles Geyer on 24 August 2018 Art Song, Choral, Classical, Classical Music, Concert Reviews, Contemporary, Dance, Education, Folk, La Scena Online, La Scena Spotlight, Musical Theatre, Opera, Orchestral, Romantic

PROFILE/REVIEW: of the 2018 Glimmerglass Festival Season: Silent Night by Kevin Puts and Mark Campbell; West Side Story by Leonard Bernstein, Arthur Laurents and Stephen Sondheim; Cunning Little Vixen by Leoš Janáček; and The Barber of Seville by Gioachino Rossini and Cesare Sterbini. “It’s remarkable how many important things happened in 1918,” observes Glimmerglass Festival artistic and managing director Francesca Zambello, speaking at a recent pre-show audience address in Cooperstown. “The end of World War I. The birth of Leonard Bernstein. And the premiere of this piece” – this last a reference to Igor Stravinsky’s The Soldier’s Tale, which was…

Composer John Rutter

At Home and Abroad with Composer John Rutter

By Charles Geyer on 13 July 2018 Chamber Music, Classical, Classical Music, Concert Reviews, Contemporary, Interviews, La Scena Online, Music Competition, Musical Theatre, Orchestral, Popular Music, Strings, Violin

INTERVIEW: with renowned composer John Rutter. Mark it a red-letter day in the Canadian classical music calendar: on Friday the 13th of July, John Rutter – among the world’s most beloved and widely performed living composers – arrives in Ottawa. “I feel very much at home in Canada,” Rutter says from his home in Great Britain. “I was quite a regular visitor in past years, when I was patron of the Toronto Mendelsohn Youth Choir. But this will be my first trip to Ottawa, and I’m very much looking forward to it.” It’s a journey occasioned by the two back-to-back…

Toronto Summer Music Festival (Photo provided)

Toronto Summer Music Festival: Remembering World War I

By Gregory Finney on 8 June 2018 Orchestral, Popular Music

War came to an end with the Treaty of Versailles. Music societies and festivals around the world are observing the centenary and paying their respects. Reflections of Wartime is the theme of this year’s Toronto Summer Music Festival, which runs from July 12 to Aug. 4. “I didn’t want it to be just World War I-inspired, but wartime-inspired in general,” artistic director Jonathan Crow explains. “An incredible wealth of music comes from wartime and not all of it dark.” Toronto Summer Music combines a festival with an academy program for pre-professional classical musicians. Most have completed their undergraduate degrees and…

Capital Ukrainian Festival: A Global and Artistic Experience

By Hassan Laghcha on 8 June 2018 Dance, Folk, Multimedia, Popular Music, Theatre, World Music

From July 20 to 22, Ottawa will welcome the fourth edition of the Capital Ukrainian Festival. More than 500 artists from all corners of the country as well as the United States and Ukraine will converge for this three-day weekend event. Jane Kolbe, the organizing committee’s president, wants the event to be a truly global and multicultural experience. There will be traditional music to be heard, songs to be sung and dances to be seen. But the program also offers a wide array of cultural activities for young and old, including a village market, a food court, a beer garden,…

Carrefour Mondial de l’Accordéon: Thirty Years of Passion

By Arnaud G. Veydarier on 7 June 2018 Folk, Mainstream Jazz, Popular Music, World Music

Well-established in Quebec’s cultural landscape for 30 years, the Carrefour mondial de l’accordéon invites musicians and music fans to gather in Montmagny and celebrate the rich heritage of the instrument. Although it’s often associated with the Parisian musette waltz, the accordion has spread across Europe and the Americas to become an integral part of many music traditions. Its 200-year history has seen several developments that have produced an extensive range of instruments with diverse characteristics. With the aim of preserving this heritage and inspiring the development of the practice, the Carrefour will gather more that 40 musicians from different geographic…

Musique Nomade: The Wapikoni Mobile of Music

By Nathalie de Han on 5 June 2018 Canadian Music, Indigenous, Popular Music

Musique nomade promotes emerging Indigenous musicians from Quebec and Canada regardless of style or nation while seeking fair cultural representation within the music industry. Supporting talented and vigorous emerging artists, this non-profit organization has a positive impact on professional development production and workshops in communities. The organization also wishes to ensure the survival of traditional music through digital media and to encourage cultural exchange. Like the professionals from Wapikoni mobile, created in 2011 by film director and activist Manon Barbeau, Music nomade’s professionals visit communities in remote areas to meet their young people. How do they achieve this? The directors’…

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