In a faraway city named Cérulée, a 200-year-old power-hungry vampire has been unleashed and the inhabitants must quickly find a way to neutralize her powers…
REVIEW: of the Glimmerglass 2023 Season, including: Roméo et Juliette, the 1867 opera composed by Charles Gounod, with a libretto by Jules Barbier and Michel…
In this Tête à tête segment, Don Adriano interviews Michael Spyres for La Scena Musicale during his passage through Montreal to sing at the Lanaudière…
As proof that the Devil has the best tunes, it is an established fact that atheists write the best religious music. Verdi, Elgar, Saint-Saens, Janacek,…
PROFILE/REVIEW: of the 2018 Glimmerglass Festival Season: Silent Night by Kevin Puts and Mark Campbell; West Side Story by Leonard Bernstein, Arthur Laurents and Stephen…
REVIEW: of La Cenerentola by Gioachino Rossini (libretto by Jacopo Ferretti) at l’Opéra de Montréal (viewed opening night, November 11, 2017 at Montreal’s Place des…
REVIEW: LoftOpera’s new production of Rossini’s Otello; INTERVIEWS: with maestro Sean Kelly, director John de los Santos, and soprano Cecilia Violetta López. They’ve Done It…
REVIEW: Opera Philadelphia’s new production of Rossini’s early masterpiece, Tancredi; INTERVIEWS: with the production’s stars – mezzo-soprano Stephanie Blythe, soprano Brenda Rae. “What a wonderful…
OPERA REVIEWS: The Crucible (August 20); The Thieving Magpie (August 20); Sweeney Todd (August 21); La bohème (August 22, matinee) INTERVIEW: Francesca Zambello Salem Village…